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Shakespeare and the Irish Writer

Review by Patrick Lonergan on 12 May 2010

Shakespeare, wrote Ben Jonson, was both the “soul of the age” and “for all time”. His work, that is, encapsulated the life of his society – but it also transcended space and time, acquiring universal importance. That duality is especially important when Shakespeare is considered...

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Dissident Dramaturgies: Contemporary Irish Theatre

Review by Thomas Conway on 11 March 2010

Eight years ago Irish Theatre Magazine looks at the vexed question of dramaturgy for the first time with the intention to demystify it (ITM, Summer 2002). Rosy Barnes surveys what is a recent development in Irish theatre and hears time and again how dramaturgy is the bridge to the professionalization...

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Crossroads: Performance Studies and Irish Culture

Review by Sara Keating on 02 December 2009

One of the great legacies of postmodern philosophy is the idea that human identity is a series of performances. As social beings, we rely on the world around us as our audience, and each interaction ushers in a new performance. As we dress the children for school we play mother; as we stand at the top...

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Get Real: Documentary Theatre Past and Present

Review by Fintan Walsh on 09 October 2009

Over the past two decades, theatre makers have frequently turned to documentary modes of performance to explore social and political realities. Tribunal theatre, verbatim theatre, auto/biography, and documentary film rank among the most familiar terms for this kind of work, while a questioning of ‘truth’...

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Theatre and Globalization: Irish Drama in the Celtic Tiger Era

Review by Emilie Pine on 13 April 2009

In Theatre and Globalization: Irish Drama in the Celtic Tiger Era Patrick Lonergan stages a debate about theatre and the impact of globalisation. Far from interpreting globalisation as a monolithic phenomenon, this study interrogates the multifaceted nature of the global cultural marketplace and locates...

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